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A lot of initial dance experiences are clumsy not because our bodies can’t move, but because our ears and our bodies haven’t learned to communicate. The music appears to be moving faster than the feet, and there is always the feeling of catching up, rather than sitting on the beat. Before trying to learn choreography, I encourage people to listen to the underlying rhythmic beat of a song. Most songs have a beat that you can clap, or tap, or bob to, even without any actual movement happening. Clapping or tapping, or simply bobbing with a gentle lowering of the knees in place will teach timing more quickly than trying to execute choreography.
A good first exercise is to simply walk in place to a song. No extra dance moves or tricks. Just let your feet step to the beat so that you hit the ground with each footfall as the floor would. If you lose your timing, go back and start again. Don’t just keep dancing. If you keep moving, even if you’re off time, your body is still learning, but it’s learning to time your dance moves to your body, not to the music. Getting reset can suck, but it means you’re not learning something wrong. The longer you do this, the less your feet will step to the beat out of a conscious effort, and the more it will just feel like a rhythm. This is the first feeling of having rhythm.
When you have the walk down, experiment with little deviations off the beat, but still on the beat. For example, try taking a step forward on one beat, and backwards on the next. Keep your core loose; lots of newbies hunch up their shoulders and forget to breathe, which affects their balance and can cause their movements to appear stilted. If you shake your arms out between tries, it can help loosen you up. Visualize the beat going up from the ground, through your legs, rather than trying to move from your core down. Usually, this alone makes you move more fluidly.
Even a very brief practice each day can add up. Just listen to the music and try to tap your knee to it. Then, march in place for a while. Finally, try to step to the beat. All of this together shouldn’t take more than 15 minutes. I find that when I practice for longer periods of time, but I’m not fully engaged, my efforts don’t count for as much as when I really try for a short period. If I find that a song is too difficult, I don’t consider it cheating to try a song that has a slower tempo. That way, my brain can pick up on details that I might otherwise miss in the faster song.
Eventually, there is a moment when the body starts expecting the beat, rather than adjusting after it has passed. Your movements will hit where the music demands, and that will feel comfortable, or so it will look from the outside. That’s not because you learned more patterns. It’s because you got better at linking your hearing with your moving. Once you achieve that, the most basic movements feel beautiful, because they are no longer at odds with the music.